Bass Icon and living legend Tony Levin throws down "Thunder" with the new Bass 10 EQ from Whirlwind!
"The Whirlwind Bass Ten graphic eq is a very useful tool for us bass players. I use it live when I want to kick in some thunder to my sound, and I've found it to be sturdy and reliable as well as quiet and technically excellent."
A busy session career followed, with fluid, expressive work on classic LPs, including Lou Reed's Berlin, Kate & Anna McGarrigle's self-titled debut, and Paul Simon's Still Crazy After All These Years. After collaborating with Peter Gabriel on his eponymous 1977 debut, Levin joined the ex-Genesis frontman's touring unit, during which time he honed his skills on the Chapman Stick, a unique 10-stringed instrument in which the strings are not plucked but tapped, a process allowing the individual to play notes with both hands and create complete multi-part arrangements.
In 1978, Levin settled in Woodstock, NY, serving in the short-lived L'Image; a year later, he played on Robert Fripp's solo effort Exposure, soon thereafter agreeing to join the guitarist in new a incarnation of his groundbreaking progressive unit King Crimson, and remaining a member of the group for over two decades. (His tour experiences subsequently yielded a 1984 book of photographs, Road Photos.) While working on Gabriel's 1986 smash So, Levin developed Funk Fingers, essentially chopped-off drumsticks designed to hammer on the bass strings; he later sold Funk Fingers through his own Papa Bear Records label as well. Sessions with everyone from Robbie Robertson (his 1987 self-titled solo debut) to Laurie Anderson (1989's Strange Angels) to Yes (1991's Union) followed, and in 1996, Levin finally made his solo debut with World Diary. From the Caves of the Iron Mountain, recorded with bamboo flute master Steve Gorn and drummer Jerry Marotta, appeared a year later and in 1998, he formed Bruford Levin Upper Extremities (B.L.U.E.) with longtime King Crimson drummer Bill Bruford, guitarist David Torn, and trumpeter Chris Botti.
Waters of Eden, Levin's Narada label debut, followed in the spring of 2000. Pieces of the Sun was released in 2001 (an expanded edition came out a year later on Pony Canyon), with many of the same tracks also included on his 2002 record, Double Espresso. Prime Cuts, a compilation of his work on sessions led by other artists on the Magna Carta label during the '90s, was issued in 2005. A bona fide new solo effort, Resonator, followed the next year, for the first time featuring Levin as a singer/songwriter as well as a bassist. ~ Jason Ankeny, All Music Guide
Photo Steve Czubara 2012